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Monday, November 23, 2020 | History

4 edition of Cinema, space, and polylocality in a globalizing China found in the catalog.

Cinema, space, and polylocality in a globalizing China

Yingjin Zhang

Cinema, space, and polylocality in a globalizing China

  • 326 Want to read
  • 35 Currently reading

Published by University of Hawaii Press in Honolulu .
Written in English

    Subjects:
  • Motion pictures and globalization -- China -- History,
  • Space and time in motion pictures,
  • Motion pictures -- Production and direction -- China,
  • Motion pictures -- China -- History -- 20th century,
  • Motion pictures -- China -- History -- 21st century

  • Edition Notes

    Includes bibliographical references and index.

    StatementYingjin Zhang.
    SeriesCritical interventions
    Classifications
    LC ClassificationsPN1993.5.C4 Z5 2009
    The Physical Object
    Paginationp. cm.
    ID Numbers
    Open LibraryOL23622122M
    ISBN 109780824833374, 9780824834081
    LC Control Number2009027714


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Cinema, space, and polylocality in a globalizing China by Yingjin Zhang Download PDF EPUB FB2

Combining inspired critical insights, original observations, and new information, Cinema, Space, and Polylocality in a Globalizing China is a significant work on current Chinese film and a must-read for film scholars and anyone seriously interested in cinema Cinema generally or contemporary Chinese by: Cinema, Space, and Polylocality in a Globalizing China Book Description: In this milestone work, prominent China film scholar Yingjin Zhang proposes "polylocality" as a new conceptual framework for investigating the shifting spaces of contemporary Chinese cinema in the age of globalization.

This book proposes “polylocality” as a new conceptual framework for investigating the shifting spaces of contemporary Chinese cinema in the age of globalization.

Questioning the national cinema paradigm, the book calls for comparative studies of underdeveloped areas beyond the imperative of transnationalism. and polylocality in a globalizing China book It begins by addressing theories and practices related to space, place, and.

Cinema, Space, and Polylocality in a Globalizing China is a solid, wellreasoned account of a very new condition in Chinese cinema, one that amply justifies the neologism in its title. Although Pierre Bourdieu is not explicitly referred to, the cinematic scene that Zhang maps out is, indeed, a dynamic field full of contention, cooption, and negotiation as each agent takes up a social.

Cinema, Space, and Polylocality in a Globalizing China is a solid, well- reasoned account of a very new condition in Chinese cinema, one that amply justifies the neologism in its title.

图书Cinema, Space, and Polylocality in a Globalizing China 介绍、书评、论坛及推荐/10(16). This book represents my efforts to trace distinctive threads in a multitude of stories-so-far concerning cinema, space, and polylocality in a globalizing Chinastories seen through the abstraction of theoretical discourses, projected through imagination and technology on the screen, circulated through a myriad of spaces and places at different geographic scales, and received through negotiation in the experiential.

作者: Yingjin Zhang isbn: 书名: Cinema, Space, and Polylocality in a Globalizing China 页数: 定价: USD 出版社: University of Hawaii Press 装帧: Paperback 出版年: >. Cinema, Space, and Polylocality in a Globalizing China, a collection of articles by Yingjin Zhang published in various magazines and journals between andconsiders space and its influence on several genres of contemporary cinematography (from martial arts blockbusters to official cinema, as well as independent productions).Author: Judith Pernin.

Pacific Affairs is a peer-reviewed, independent, and interdisciplinary scholarly journal focusing on important current political, economic and social issues throughout Asia and the Pacific.

Each issue contains approximately five new articles and book reviews. Published continuously as a quarterly since under the same name, it is the oldest English-language journal with a focus on.

Yingjin Zhang Cinema, Space, and Polylocality in a Globalizing China University of Hawai'i Press, xii, pp. $ (cloth) Yingjin Zhang, who has previously written seven books on Chinese film studies, views what he terms as the "messy state of contemporary Chinese cinema" (26) through several theoretical frameworks, namely that of place, space, "translocality," or the coexistence of.

Cinema, Space, and Polylocality in a Globalizing China. Honolulu: University of Hawaii Press, b. Honolulu: University of Hawaii Press, b. Google ScholarAuthor: Xiaoping Wang. (1) Cinema, Space, and Polylocality in a Globalizing China, a collection of articles by Yingjin Zhang (2) published in various magazines and journals between andconsiders space and its influence on several genres of contemporary cinematography (from martial arts blockbusters to official cinema, as well as independent productions).Author: Judith Pernin.

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More than 1 Million Books in Pdf, ePub, Mobi, Tuebl and Audiobook formats. Hourly Update. He is the author of The City in Modern Chinese Literature and Film (), Screening China (), Chinese National Cinema (), and Cinema, Space, and Polylocality in a Globalizing China (); co-author of Encyclopedia of Chinese Film (); editor of China in a Polycentric World () and Cinema and Urban Culture in Shanghai, Yingjin Zhang, Cinema, Space, and Polylocality in a Globalizing China Honolulu, University of Hawaii Press,p.

In this milestone work, prominent China film scholar Yingjin Zhang proposes "polylocality" as a new conceptual framework for investigating the shifting spaces of contemporary Chinese cinema in the age of globalization.

Questioning the national cin. He is the author of, amongst others, Screening China (), Chinese National Cinema (), and Cinema, Space, and Polylocality in a Globalizing China ().

He is co-author of Encyclopedia of Chinese Film (), and New Chinese-Language Documentaries (), and editor of A Companion to Chinese Cinema (Wiley-Blackwell, ). – Yingjin Zhang, Professor of Literature at University of California, San Diego, USA, author of Cinema, Space, and Polylocality in a Globalizing China (), and editor of A Companion to Chinese Cinema ().

A Companion to Chinese Cinema features a collection of original readings that offer a comprehensive overview of the evolution and current state of Chinese cinema. Essays consider Chinese cinema from a variety of historical and geo-political centers―Shanghai, Hong Kong, and Taiwan―and offer a critical examination of major accomplishments of Chinese film studies in various categories―film 2/5(1).

" - Yingjin Zhang, Professor of Literature, University of California, San Diego, USA and author of Cinema, Space, and Polylocality in a Globalizing China (). "This concise and incisive book makes an important intervention into the study of Chinese film historyPages: Among his eight English books are Encyclopedia of Chinese Film (Routledge, ), Cinema and Urban Culture in Shanghai, – (Stanford, ), Screening China (Michigan, ), Chinese National Cinema (Routledge, ), From Underground to Independent (Rowman & Littlefield, ), and Cinema, Space, and Polylocality in a Globalizing.

Cinema, Space, and Polylocality in a Globalizing China is a solid, well-reasoned account of a very new condition in Chinese cinema, one that amply justifies the neologism in its title.

Although Author: Haomin Gong. Cinema, Space, and Polylocality in a Globalizing China. Author: Yingjin Proposes 'polylocality' as a conceptual framework for investigating the shifting spaces of contemporary Chinese cinema in the age of globalization.

Questioning the national cinema paradigm, this book calls for comparative studies of underdeveloped areas beyond the.

“Polycentric China: Essays in Cinema and Culture” (in Chinese), Nanjing University Press, “Cinema, Space, and Polylocality in a Globalizing China,” University of Hawaii Press, “From Underground to Independent: Alternative Film Culture in Contemporary China”.

Zhang, Yingjin. Cinema, Space, and Polylocality in a Globalizing China. U of Hawaii P, Zhang, Zhen. “Urban Dreamscape, Phantom Sisters, and the Identity of an Emergent Art Cinema.” In Zhen Zhang, ed., The Urban Generation: Chinese Cinema and Society at the Turn of the Twenty-first UP,   He is the author of, amongst others, Screening China (), Chinese National Cinema (), and Cinema, Space, and Polylocality in a Globalizing China ().

He is co-author of Encyclopedia of Chinese Film (), and New Chinese-Language Documentaries (), and editor of A Companion to Chinese Cinema (Wiley-Blackwell, ).Pages: Yingjin Zhang, Ph.D.

(), Stanford University, is Professor of Literature at University of California, San Diego, and Visiting Chair Professor at Shanghai Jiaotong University, China. His recent books include Cinema, Space, and Polylocality in a Globalizing China (Hawaii, ), Chinese Film Stars (Routledge, ), and A Companion to Chinese.

Among his eight English books are Encyclopedia of Chinese Film (Routledge, ), Cinema and Urban Culture in Shanghai, – (Stanford, ), Screening China (Michigan, ), Chinese National Cinema (Routledge, ), From Underground to Independent (Rowman & Littlefield, ), and Cinema, Space, and Polylocality in a Globalizing Format: Hardcover.

By Yingjin Zhang. ISBN ISBN ISBN ISBN In this milestone paintings, well-liked China movie student Yingjin Zhang proposes "polylocality" as a brand new conceptual framework for investigating the transferring areas of up to date chinese language cinema within the age of globalization.

wondering the nationwide cinema. Enhua Zhang received her Ph.D. in East Asian Languages and Cultures with a minor in Anthropology from Columbia University. Her research and teaching interests include Chinese literature since the late nineteenth century, Chinese Cinema, Chinese Popular Culture, Gender Studies, and.

Cinema, space, and polylocality in a globalizing China $ $ Combining inspired critical insights, original observations, and new information, Cinema, Space, and Polylocality in a Globalizing China is a significant work on current Chinese film and a must-read for film scholars and anyone seriously interested in cinema more generally.

Cinema, Space, and Polylocality in a Globalizing China by Yingjin Zhang liked it avg rating — 5 ratings — published — 3 editions. The journal contains many book reviews and film reviews each issue.

Subscribers are asked to participate by reviewing such texts for the journal. Each year, Film & History also produces a CD-ROM of articles and out-of-print books for scholars in the form of a CD-ROM.

Among his eight English books are Encyclopedia of Chinese Film (Routledge, ), Cinema and Urban Culture in Shanghai, (Stanford, ), Screening China (Michigan, ), Chinese National Cinema (Routledge, ), From Underground to Independent (Rowman & Littlefield, ), and Cinema, Space, and Polylocality in a Globalizing China.

Yingjin Zhang is Professor of Comparative Literature and Cultural Studies at University of California, San Diego, and Visiting Chair Professor at Shanghai Jiaotong University, China.

He is the author of The City in Modern Chinese Literature and Film (), Screening China (), Chinese National Cinema (), and Cinema, Space, and Polylocality in a Globalizing China (); co-author of. Yingjin Zhang. Ph.D. (Stanford) Distinguished Professor of Modern Chinese A Companion to Chinese Cinema.

London: Wiley-Blackwell, pp. Polycentric China: Essays in Cinema and Culture [in Chinese]. Nanjing: Nanjing University Press, pp.

Cinema, Space, and Polylocality in a Globalizing China. Honolulu: University of Hawaii. Roots and Branches (Chinese: 我的兄弟姊妹, pinyin: Wo de xiongdi jiemei, literally "My Brothers and Sisters") is a Chinese film released in It was the third highest grossing Chinese film of at the domestic box office, but was not well received ng: Gigi Leung, Jiang Wu, Xia Yu, Chen Shi, Cui Jian.

Cinema, Space, and Polylocality in a Globalizing China liked it avg rating — 5 ratings — published — 3 editions Want to Read saving /5. This year Xi Jinping went to Davos hailing the virtues of globalization.

Students, businesses, and officials have a new swagger about China in the world, and its megacities gesture towards a boisterous cosmopolitanism. China’s global economic, military, and media spheres continue to expand. Five films are on the program for the Asia Pacific Film Festival: “Spaces of Asian Cinema.” The festival includes a symposium, with three keynote speeches and four panel discussions.

The films are scheduled to be shown in 6 Olson Hall, with admission free and open to the public. Nov. 4 • p.m. — One Shining Day, directed by Kim Sung-ho, Kim Jong-kwan and Min Dong-hyun.